about IZK
guests & partners
staff & team
former team members
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Academic Program
making teaching public
exhibiting
Annenstrasse 53,
IZK lecture series
conferences & publications
open working sessions
projects
archive
from 2015
before 2015
How to Photograph the Invisible
Landscapes of Exhaustion and Hope
Who is Afraid of Ideology?!, Course
When the river dies, my dearest listen! Infra/structures and Anti-imperial models , Course
Material Contours. The Project of Extraction, Course
Light Squared. As soon as I open my eyes, I see a film, Course
In Stasis. The State of an Island, Course
An Atlas Beneath the Surface, Course
We sit in a room with history, Course
Another Aesthetics is Possible, Course
The State of Things. On Collective Filmmaking, Course
The Bauhaus Dancing with Ghosts. From the margins of knowledge to artistic practice , Course
Storytelling for the Storm Next Time, Course
Reproduction and its Discontents, Course
REHEARSALS II: RED. GREEN., Course
(Abolitionary) Motifs, Course
IZK Research Days, News
When The Dust Unsettles, Course
The Master’s Tools Will Never Dismantle The Master’s House. Forms of Feminist Praxis, Course
Lessons In Darkness, Silver Salts and the Lightest Metal, Course
Listen to Dreams in Strange Colors. Film as Architectural practice, Course
WORLD-MAKING: ABOLITION GEOGRAPHY, Course
Atoms at Work. On Art-based Research as Praxis, Course
Course TIME CRYSTALS, ROCK, STONE AND MUD, News
Course HOW DOES ONE GET TO OWN A MOUNTAIN?, News
Jackqueline Frost, The Rumor of the Earth: Nuclear Imperialism and Caribbean Ecology, Event
Marina Vishmidt - Entropy and Atrophy: Non-Identity in Non-Essential Infrastructure, Lecture
How Does One Get to Own a Mountain? Fieldwork public programme, Course
HOW ON EARTH?! Exhibition within the 59th October Salon, Event
Branislav Dimitrijević - Indeterminate Certainty, Determinate Uncertainty: Robert Smithson and the Geological Turn, Event
The Fourth Wall (To Build a Home), Course
Time Crystals, Rock, Stone and Mud, Course
The Measure of Land, Course
How Does One Get to Own a Mountain?, Course
Another World, Another Aesthetics, Course
In Search of Movement, Course
Curatorial Design: A Place Between, Public Conference at the Canadian Centre for Architecture Montréal, Conference
LOADING TERMINAL - Poetry reading and conversation, Event
Samia Henni at IZK, Lecture
Colonial Impositions and Their Non-Effects: The Problem of French Domestic Norms and Forms in Colonized Algeria, Lecture
Annenstrasse 53, Sequence 5: Free Cinema, Event
Bordering Forms, Course
Revealing the Work of Art, Course
Photography as a Document, Course
Art Documentation in the Age of Digital Media, Course
Visual Cacophony: Photography as a Designing Device, Course
Life of Crops: Soil as Archive, Course
Rehearsals, Course
Tracing Aflenz. A Topography of Procedures, Course
The writing on the wall destroyed, Event
PhD Day 2022
REPAIR Lectures, Lecture
am i actually an architect? new models of architecting, Lecture
Lecture - Łukasz Stanek, From Eastern Europe to Africa: Women Architects in the Global Cold War, Event
Cloud Seeds, Course
Questions from an architect who reads. A students’ inquiry!, Course
REPAIR, Course
Why Have There Been No Great Women Architects?, Course
FILMS FOR A FREE PALESTINE, Event
Call for Papers: Incomputable Earth—Digital Technologies and the Anthropocene, News
Semmering - Land, Property, and Commons, Event
Trembling Streets - A Guided Tour, Event
Marcell Mars - Distributed Resources versus Distributed Tech, Lecture
Poetics of Unlearning, Event
Secret Proof, Exhibiting
The European Dream, Event
David Frohnapfel - Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince, Lecture
Nina Valerie Kolowratnik - The Language of Secret Proof: Indigenous Truth and Representation, Event
Job Vacancy: Study Assistants, Event
book as an object of potential history
Through the Looking Glass, the Realities We Found There, Course
Incarceratedly Yours, Course
Flowers (Not) Worthy of Paradise, Course
Trembling Streets: Investigative Materialities in an Apocalyptic World, Course
Unlearning Photography, Course
HOME WORK. On Artistic Practice During the Plague Years, Course
Infrastructures of Unlearning: Investigating the Futures Past, Course
Epistemic Injustice, Course
Digging Deeper, Course
IZK I Lecture Series: Constructing Non-Alignment, a lecture by Dubravka Sekulić, Event
Invitation: Ariella Aïsha Azoulay and Wayne Modest at Annenstrasse 53,, Event
Four Faces of Omarska: Open Video Sequence, Event
Un-Documented – Unlearning Imperial Plunder
Annenstraße 53: Making Teaching Public, Exhibiting
Annenstrasse 53,, Making Teaching Public
Mind the Gap - Award for Philipp Sattler, Event
Thresholds of Opacity and Legibility: Manifesting, Redefining and Eroding Forms, Course
Objects of History, Course
The (Ultimate) Norm and Its Relation to Colour Balance, Image Technologies and Cognitive Equity, Course
Nothing Easier Than to Imagine a Four-Dimensional Cube!, Course
VIDEO ESSAY - a video literacy, Course
IZK Theory Lecture Series, Event
IZK Artist Talk Series, Event
Exhibiting Matters - Triangulation, Event
Exhibiting Matters - Exploring Other Formats, Event
Memorial in Becoming, Project
project House of Open Gates/ Narratives from the Arrival City. Steirischer Herbst 2016, Event
Private Property, Privatisation and Other Crimes, Event
What can the property relations tell us about the city?, Event
Post-Yugoslav Generation at the Unidentified Grave of “Yugoslavia”, Event
Performance Now: „I don’t think I am trying to commit suicide“, Event
Sans Souci - Remembering Landscape, Event
Exhibiting the Thing: A short history of thinking about the modes of display, Course
On Stones, Plants, and Tools: the image of a resource, Course
The Sublime Landscape and its Relation to Labour, Course
FARBENLEHRE: What Color Is the Sacred?, Course
Prehistory of a Museum of Capitalism, Event
WHAT KEEPS YOU AWAKE? Urgency in Life and Art, Event
Sommerfest - Graz Open Architecture 19, Event
Reading Capital, Course
Sommerfest - Graz Open Architecture 18, Event
Take the Place with you - Public Presentation and Discussion, Event
Landscapes of Post-History, lecture by Ross Exo Adams, Event
Death Drives and Coin Test China High-Speed Rail Videos, lecture performance by Ho Rui An
Knowledge is knowing that a tomato is a fruit. Wisdom is not putting it in a fruit salad, Course
Documenting Transformation, Course
UMBRUCH. When objects are called to tell stories, Course
Life of Crops: Towards an Investigative Memorialization, Conference
What Keeps You Awake? Urgency in Life and Art, Course
Exhibition: In the Ruins of Deregulation - Thinking with Cinema Balkan, Event
A thing called Nature, Course
FARBENLEHRE: What Color Is the Sacred?, Course
22520 Standards. – questions on economization in creative production procedures. , Course
In the Ruins of Deregulation, Course
The Means of Art. Spatial thinking and desire to create, Course
The Space of Art: Challenge of transdisciplinary knowledge production, Course
Across Disciplines: Visual and Sonic Practice, Course
Counter Memory and Publicness, Course
Unknown Avant-Garde, Lecture by Anna Artaker, Course
Exhibition: The Living Archive, Course
Open Working Session: Limits and Horizons of Transdisciplinary Art-Based Research, Event
Andrew Herscher
From the Politics of Memory to the Memory of Politics, Event
Workshop: The Appearance of That which Cannot be Seen, Course
Andrew Herscher – The Counter-Monument, Event
Workshop: In or Out of the Archive?, Event
Presentation: The Mother of All Nodal Points, Event
Andrew Herscher
Humanitarian’s Housing Question, Event
Daniel Wetzel/Rimini Protokoll
One Archive: One document, Event
Film Screening: Alpi, Event
Lecture: Returns of Knowledge, Event
Dieter Roth – Július Koller.
Distant Proximities?, Event
Public Session – The Recondite Archive. In Search of the Form that Speaks, Event
Learning from Leaving Las Vegas, Course
Jochen Gerz – Working with the Public, Event
Violence at the Threshold of Detectability, Event
(Re)Naming Working Session 01, Event
Memory of the World / Public Library, Event
DOPUST/DAYS OF OPEN PERFORMANCE, Event
Black and Blight, lecture by Andrew Herscher, Event
Detroit Resists and Architecture in Resistance, Event
Unterwassergemurmel -
The Murmur of the Underworld.
Discussion about the artwork, Event
TRIAL MODE 2: BUILDING SYNERGIES, Event
After the Post Internet & the Winter of AI, Event
Sans Souci / Exhibition Opening & Performance, Event
Beyond Socialist Modernism - “New Artistic Practice” in Yugoslavia in the Sixties and the Seventies, Event
Exhibiting the Thing: A short history of thinking about the modes of display, Event
Architectural Environment-Worlds, lecture by Hélène Frichot, Event
Hidden Curriculum, and other ways of hiding in plain sight, Course
Pedagogy, Playgrounds and Pavilions by Nils Norman, Event
Linguistic Landscapes and Ideological Horizons, Event
Returns of Knowledge(s) - exhibition, Event
The City and the City, Course, Course
The Open Secret of Exhibitions, Lecture by Vincent Normand, Event
The Artistic Life of the Pioneer Plaque: The Exposure of Universal Humans, Spacecraft as Gallery, Cordially Meeting the Others… - Lecture by Jelena Vesic, Event
The Ethics of Plumbing, Ines Weizman in Conversation with Milica Tomic and Dubravka Sekulic, Event
Tiny Objects of Survival, Lecture by Petar Milat, Event
A walk through the Zoo, lecture by Andrea Palašti, Event
HAUNTINGS IN THE ARCHIVE!, Screening and Q&A with Julia Wieger, Event
“Hot Iron” and “Hot Iron Marginalia”, lecture by Adrià Julià, Event
'Matters of Facts'
The Orthogonal Methods Group
in Conversation with
Dejan Markovic, Event
Unlearning Black Pete (and other states of coloniality), lecture by Annette Krauss, Event
Central Perspectives, lecture by Bas Princen, Event
ORIENTATIONS - Screening Program by Dennis McNulty, Bea McMahon and aemi, Screening
Diagram Reading Group
by Dennis McNulty, Workshop
Engineering Fictions #3.18:
Computer Says No
by Jessica Foley, Workshop
'Matters of Facts'
The Orthogonal Methods Group
Digital Worker: Witnesses of a transformation, Course
From Performance to Video and Then Back Again: How to Explain Pictures to a Dead Hare, Course
what keeps the “friendly alien” alive? on maintenance and management of kunsthaus graz, Course
Display Dark Energy, Course
Sites of Labour - Master Studio, Course
Workshop 2, Course
ARCHIVES OF NATIONAL SOCIALIST PLANNING, Course
Sans Souci Exhibition - Malta Festival Poznan, Event
Returns of Knowledge(s): How Research Makes an Exhibition, Course
A hidden abode of art production, Course
TAKE THE PLACE WITH YOU, Course
(un)learning spaces, Course
The Imaginary School, Course
into the Herbst archives, Course
Let's Build a Library together with Grazer Kunstverein, Course
WAS WIR TUN, Camera Austria: an Investigation into the Institution, Course
Unlearning Classroom, Course
Returns of Knowledge(s), Course
Exhibiting as a Research Practice, A Case Study, Course
SANS SOUCI:
FOUR FACES OF OMARSKA, Course
A Critical Construction Report, Graz 2017, Course
Let's Build a Library Together!
Workshop 2, Course
EXHIBITING AS A RESEARCH METHOD, Course
The Architecture of the Inhuman. A dialogue with machines, Course
WALKING: A CRITICAL INQUIRY, Course
New Graz Dinner Party, Course
From Roundabout to the Round Table, Course
Visual and Sonic Practice, Course
Live Action: Creating Roles in Speculative Environments, Course
ENCOUNTERS, Course
Awaiting Reininghaus, Course
Conference: Knowledge Forms and Forming Knowledge
Artistic Interventions in Public Space, Course
The Recondite Archive: In Search of a Form that Speaks, Course
Politics of Exposure: Common Research, Public Investigation, Course
Scientific Image: Revealing the Work of Art, Course
Lieber Maler, male mir… Conditions of Commissioning in Contemporary Art, Course
Life Drawing
The Living Archive: On Collecting, Classifying and Remembering in Contemporary Art, Course
Knowledge Forms, Course
Open Modes Graz
2014-2018, Project
The Incomputable
2019-2021, Project
Curatorial Design:
A Place Between
2017-2021, Project
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