Marina Vishmidt is a writer and editor, teaching at Goldsmiths, University of London. Her writing has appeared in South Atlantic Quarterly, Artforum, Afterall, e-flux journal, and Radical Philosophy, among others. She is currently editing a reader on speculation for the Documents of Contemporary Art series (forthcoming in 2022). With Kerstin Stakemeier she is co-author of Reproducing Autonomy: Work, Money, Crisis and Contemporary Art (2016) and her book Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital was published in 2018.