Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Getho J. Baptiste, sculpture Embrace, 2014, © Getho J. Baptiste, photo taken by David Frohnapfel.

Getho J. Baptiste, sculpture Embrace, 2014, © Getho J. Baptiste, photo taken by David Frohnapfel.

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Online Lecture

May 5, 2021 17:00 CET

As part of his workshop Epistemic Injustice that took place at the IZK in May 2021, Dr. David Frohnapfel  presented his research in a public lecture hosted by Annenstrasse 53, and Das Gesellschaftliche Ding in collaboration with IZK - Institute for Contemporary Art.

The lecture discussed the ongoing epistemic marginalization of Haitian artists and curators as legitimate knowledge producers in the transnational field of contemporary art. It presented several case studies on how Progressive Racism in the discourse on Haitian art recenters Whiteness by performing benign, innocent, and heroic identifications with the artist group Atis Rezistans. How does contemporary art produced in Port-au-Prince relate to the production of white progressive identities?

David Frohnapfel studied art history, comparative literature, and religious studies at Ludwig-Maximilians-Universität in Munich and at the Universidad de la Habana in Havana. He works on contemporary art and visual culture from the Caribbean region and received a Ph.D. degree for his dissertation, Disobedient Musealities, from Freie Universität Berlin. His research focuses on decolonial theory, critical race theory, critical whiteness studies, and affect theory. He worked as curator of The 3rd Ghetto Biennale: Decentering the Market and Other Tales of Progress in Port-au-Prince together with Leah Gordon, André Eugène, and Jean Herald Celeur, and curated the exhibition NOCTAMBULES on Queer Visualities on the occasion of Le Forum Transculturel d'Art Contemporain. Frohnapfel is also the author of Alleviative Objects. Intersectional Entanglement and Progressive Racism in Caribbean Art (2020).

The project Annenstrasse 53, run by Das Gesellschaftliche Ding. Kunst Architektur und Öffentlichkeit is part of the KUNSTRAUM STEIERMARK fellowship programme of Land Steiermark and supported by steirischer herbst.

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

HOW ON EARTH?! Exhibition within the 59th October Salon

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Atoms at Work. On Art-based Research as Praxis

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

WORLD-MAKING: ABOLITION GEOGRAPHY

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Listen to Dreams in Strange Colors. Film as Architectural practice

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Lessons In Darkness, Silver Salts and the Lightest Metal

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Master’s Tools Will Never Dismantle The Master’s House. Forms of Feminist Praxis

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

When The Dust Unsettles

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

IZK Research Days

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Curatorial Design:
A Place Between
2017-2021

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Incomputable
2019-2021

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Open Modes Graz
2014-2018

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Knowledge Forms

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Living Archive: On Collecting, Classifying and Remembering in Contemporary Art

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Life Drawing

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Lieber Maler, male mir… Conditions of Commissioning in Contemporary Art

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Scientific Image: Revealing the Work of Art

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Politics of Exposure: Common Research, Public Investigation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Recondite Archive: In Search of a Form that Speaks

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Artistic Interventions in Public Space

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Conference: Knowledge Forms and Forming Knowledge

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Awaiting Reininghaus

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

ENCOUNTERS

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Live Action: Creating Roles in Speculative Environments

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Visual and Sonic Practice

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

From Roundabout to the Round Table

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

New Graz Dinner Party

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

WALKING: A CRITICAL INQUIRY

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Architecture of the Inhuman. A dialogue with machines

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

EXHIBITING AS A RESEARCH METHOD

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Let's Build a Library Together!
Workshop 2

TU Research Hub: Workshop 0.1.

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

A Critical Construction Report, Graz 2017

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

SANS SOUCI:
FOUR FACES OF OMARSKA

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibiting as a Research Practice, A Case Study

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Returns of Knowledge(s)

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Unlearning Classroom

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

WAS WIR TUN, Camera Austria: an Investigation into the Institution

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Let's Build a Library together with Grazer Kunstverein

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

into the Herbst archives

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Imaginary School

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

(un)learning spaces

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

TAKE THE PLACE WITH YOU

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

A hidden abode of art production

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Returns of Knowledge(s): How Research Makes an Exhibition

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Sans Souci Exhibition - Malta Festival Poznan

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Unlearning Classroom

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

ARCHIVES OF NATIONAL SOCIALIST PLANNING

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Workshop 2

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Sites of Labour - Master Studio

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Display Dark Energy

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

what keeps the “friendly alien” alive? on maintenance and management of kunsthaus graz

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

From Performance to Video and Then Back Again: How to Explain Pictures to a Dead Hare

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Digital Worker: Witnesses of a transformation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

'Matters of Facts'
The Orthogonal Methods Group

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Engineering Fictions #3.18:
Computer Says No
by Jessica Foley

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Diagram Reading Group
by Dennis McNulty

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Logic Gate Session
by Tom O’Dea

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

ORIENTATIONS - Screening Program by Dennis McNulty, Bea McMahon and aemi

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Central Perspectives, lecture by Bas Princen

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Unlearning Black Pete (and other states of coloniality), lecture by Annette Krauss

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

'Matters of Facts'
The Orthogonal Methods Group
in Conversation with
Dejan Markovic

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

“Hot Iron” and “Hot Iron Marginalia”, lecture by Adrià Julià

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

HAUNTINGS IN THE ARCHIVE!, Screening and Q&A with Julia Wieger

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

A walk through the Zoo, lecture by Andrea Palašti

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Tiny Objects of Survival, Lecture by Petar Milat

The Ethics of Plumbing, Ines Weizman in Conversation with Milica Tomic and Dubravka Sekulic

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Artistic Life of the Pioneer Plaque: The Exposure of Universal Humans, Spacecraft as Gallery, Cordially Meeting the Others… - Lecture by Jelena Vesic

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Open Secret of Exhibitions, Lecture by Vincent Normand

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The City and the City, Course

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Returns of Knowledge(s) - exhibition

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Linguistic Landscapes and Ideological Horizons

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Pedagogy, Playgrounds and Pavilions by Nils Norman

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Hidden Curriculum, and other ways of hiding in plain sight

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Architectural Environment-Worlds, lecture by Hélène Frichot

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibiting the Thing: A short history of thinking about the modes of display

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Beyond Socialist Modernism - “New Artistic Practice” in Yugoslavia in the Sixties and the Seventies

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Sans Souci / Exhibition Opening & Performance

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

After the Post Internet & the Winter of AI

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

TRIAL MODE 2: BUILDING SYNERGIES

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Unterwassergemurmel -
The Murmur of the Underworld.
Discussion about the artwork

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Detroit Resists and Architecture in Resistance

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Black and Blight, lecture by Andrew Herscher

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

DOPUST/DAYS OF OPEN PERFORMANCE

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Memory of the World / Public Library

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

(Re)Naming Working Session 01

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Violence at the Threshold of Detectability

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Jochen Gerz – Working with the Public

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Learning from Leaving Las Vegas

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Public Session – The Recondite Archive. In Search of the Form that Speaks

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Dieter Roth – Július Koller.
Distant Proximities?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Lecture: Returns of Knowledge

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Film Screening: Alpi

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Daniel Wetzel/Rimini Protokoll
One Archive: One document

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Andrew Herscher
Humanitarian’s Housing Question

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Presentation: The Mother of All Nodal Points

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Workshop: In or Out of the Archive?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Andrew Herscher – The Counter-Monument

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Workshop: The Appearance of That which Cannot be Seen

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Andrew Herscher
From the Politics of Memory to the Memory of Politics

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Open Working Session: Limits and Horizons of Transdisciplinary Art-Based Research

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibition: The Living Archive

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Unknown Avant-Garde, Lecture by Anna Artaker

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Counter Memory and Publicness

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Across Disciplines: Visual and Sonic Practice

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Space of Art: Challenge of transdisciplinary knowledge production

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Means of Art. Spatial thinking and desire to create

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

In the Ruins of Deregulation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

22520 Standards. – questions on economization in creative production procedures. 

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

FARBENLEHRE: What Color Is the Sacred?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

A thing called Nature

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibition: In the Ruins of Deregulation - Thinking with Cinema Balkan

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

What Keeps You Awake? Urgency in Life and Art

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Life of Crops: Towards an Investigative Memorialization

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

UMBRUCH. When objects are called to tell stories

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

SAY IT WITH A VIDEO

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Documenting Transformation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Knowledge is knowing that a tomato is a fruit. Wisdom is not putting it in a fruit salad

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Death Drives and Coin Test China High-Speed Rail Videos, lecture performance by Ho Rui An

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Landscapes of Post-History, lecture by Ross Exo Adams

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Komuna Fundamento

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Body Luggage

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

From the Object to the Thing

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

What is Photography?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Take the Place with you - Public Presentation and Discussion

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Sommerfest - Graz Open Architecture 18

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Reading Capital

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Sommerfest - Graz Open Architecture 19

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

WHAT KEEPS YOU AWAKE? Urgency in Life and Art

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Prehistory of a Museum of Capitalism

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

FARBENLEHRE: What Color Is the Sacred?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Sublime Landscape and its Relation to Labour

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

On Stones, Plants, and Tools: the image of a resource

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibiting the Thing: A short history of thinking about the modes of display

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Study Assistants

Sommerfest

Summer Fest 2020

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Sans Souci- at Remembering Landscape

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Sans Souci - Remembering Landscape

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Performance Now: „I don’t think I am trying to commit suicide“

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Post-Yugoslav Generation at the Unidentified Grave of “Yugoslavia”

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

What can the property relations tell us about the city?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Private Property, Privatisation and Other Crimes

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

project House of Open Gates/ Narratives from the Arrival City. Steirischer Herbst 2016

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibiting Matters - Exploring Other Formats

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibiting Matters - Triangulation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Memorial in Becoming

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibiting Matters - Exploring Other Formats

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Exhibiting Matters - Triangulation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

IZK Artist Talk Series

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

IZK Theory Lecture Series

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

VIDEO ESSAY - a video literacy

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Nothing Easier Than to Imagine a Four-Dimensional Cube!

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The (Ultimate) Norm and Its Relation to Colour Balance, Image Technologies and Cognitive Equity

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Objects of History

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Thresholds of Opacity and Legibility: Manifesting, Redefining and Eroding Forms

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Mind the Gap - Award for Philipp Sattler

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Annenstraße 53: Making Teaching Public

Un-Documented – Unlearning Imperial Plunder

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Four Faces of Omarska: Open Video Sequence

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Invitation: Ariella Aïsha Azoulay and Wayne Modest at Annenstrasse 53,

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

IZK I Lecture Series: Constructing Non-Alignment, a lecture by Dubravka Sekulić

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Digging Deeper

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Epistemic Injustice

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Infrastructures of Unlearning: Investigating the Futures Past

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

HOME WORK. On Artistic Practice During the Plague Years

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Unlearning Photography

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Trembling Streets: Investigative Materialities in an Apocalyptic World

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Flowers (Not) Worthy of Paradise

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Incarceratedly Yours

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Through the Looking Glass, the Realities We Found There

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

book as an object of potential history

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Job Vacancy: Study Assistants

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Nina Valerie Kolowratnik - The Language of Secret Proof: Indigenous Truth and Representation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

David Frohnapfel - Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The European Dream

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Secret Proof

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Poetics of Unlearning

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Marcell Mars - Distributed Resources versus Distributed Tech

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Trembling Streets - A Guided Tour

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Semmering - Land, Property, and Commons

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Call for Papers: Incomputable Earth—Digital Technologies and the Anthropocene

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

FILMS FOR A FREE PALESTINE

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Why Have There Been No Great Women Architects?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

REPAIR

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Questions from an architect who reads. A students’ inquiry!

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Cloud Seeds

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Lecture - Łukasz Stanek, From Eastern Europe to Africa: Women Architects in the Global Cold War

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

am i actually an architect? new models of architecting

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

REPAIR Lectures

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

PhD Day 2022

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The writing on the wall destroyed

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Tracing Aflenz. A Topography of Procedures

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Fragments As Method

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Rehearsals

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Life of Crops: Soil as Archive

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Visual Cacophony: Photography as a Designing Device

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Art Documentation in the Age of Digital Media

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Photography as a Document

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Revealing the Work of Art

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Bordering Forms

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Annenstrasse 53, Sequence 5: Free Cinema

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Colonial Impositions and Their Non-Effects: The Problem of French Domestic Norms and Forms in Colonized Algeria

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Samia Henni at IZK

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Annenstrasse 53, Exhibition: Art Documentation in the Age of Digital Media

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

LOADING TERMINAL - Poetry reading and conversation

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Curatorial Design: A Place Between, Public Conference at the Canadian Centre for Architecture Montréal

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

In Search of Movement

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Another World, Another Aesthetics

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

How Does One Get to Own a Mountain?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Measure of Land

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Time Crystals, Rock, Stone and Mud

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

The Fourth Wall (To Build a Home)

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Branislav Dimitrijević - Indeterminate Certainty, Determinate Uncertainty: Robert Smithson and the Geological Turn

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

How Does One Get to Own a Mountain? Fieldwork public programme

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Marina Vishmidt - Entropy and Atrophy: Non-Identity in Non-Essential Infrastructure

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Gender Taskforce: Women Architects in the Global Cold War

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Jackqueline Frost, The Rumor of the Earth: Nuclear Imperialism and Caribbean Ecology

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Course HOW DOES ONE GET TO OWN A MOUNTAIN?

Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

Course TIME CRYSTALS, ROCK, STONE AND MUD

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