FILMS FOR A FREE PALESTINE

films for a free palestine

FILMS FOR A FREE PALESTINE was the third sequence of the programme at Annenstrasse 53, conceived within the steirischer herbst ’21 parallel program. It took place as five screenings and a discussion between Basma Alsharif, Jumana Manna, and Even Its Name. Films for a Free Palestine is selected by Daniella Shreir. Shreir first programmed For a Free Palestine: Films by Palestinian Women for Another Screen (Another Gaze journal’s streaming platform) during May–June 2021.

23.09.
18:30 Introduction and Screening
Layaly Badr
The Road to Palestine (1985, 7’)
Razan AlSalah
Your Father Was Born A 100 Years Old, And So Was The Nakba (2017, 7’)
Mahasen Nasser-Eldin
The Silent Protest: Jerusalem 1929 (2019, 20’)

30.09.
18:30 Introduction and Screening
Rosalind Nashashibi
Dahiet Al Bareed, District of the Post Office (2002, 7’)
Hreash House (2004, 20’)
Electrical Gaza (2015, 17’)

5.10.
17:45 Screening
Basma Alsharif
We Began By Measuring Distance (2009, 19’)
Home Movies Gaza (2013, 25’)Jumana Manna
Blessed Blessed Oblivion (2010, 21’)
A Sketch of Manners (2013, 12’)
19:30 Discussion
Basma Alsharif (online presence), Jumana Manna (online presence), and Even Its Name

7.10.
18:30 Introduction and Screening
Shuruq Harb
The White Elephant (2018, 12’)
Basma Alsharif
Farther Than The Eye Can See (2012, 13’)
O, Persecuted (2014, 12’)

14.10.
18:30 Introduction and Screening
Larissa Sansour
A Space Exodus (2009, 5’)
Nation Estate (2012, 9’)
Mona Benyamin
Moonscape (2020, 17’)

FILMS FOR A FREE PALESTINE

HOW ON EARTH?! Exhibition within the 59th October Salon

FILMS FOR A FREE PALESTINE

Atoms at Work. On Art-based Research as Praxis

FILMS FOR A FREE PALESTINE

WORLD-MAKING: ABOLITION GEOGRAPHY

FILMS FOR A FREE PALESTINE

Listen to Dreams in Strange Colors. Film as Architectural practice

FILMS FOR A FREE PALESTINE

Lessons In Darkness, Silver Salts and the Lightest Metal

FILMS FOR A FREE PALESTINE

The Master’s Tools Will Never Dismantle The Master’s House. Forms of Feminist Praxis

FILMS FOR A FREE PALESTINE

When The Dust Unsettles

FILMS FOR A FREE PALESTINE

IZK Research Days

FILMS FOR A FREE PALESTINE

Curatorial Design:
A Place Between
2017-2021

FILMS FOR A FREE PALESTINE

The Incomputable
2019-2021

FILMS FOR A FREE PALESTINE

Open Modes Graz
2014-2018

FILMS FOR A FREE PALESTINE

Knowledge Forms

FILMS FOR A FREE PALESTINE

The Living Archive: On Collecting, Classifying and Remembering in Contemporary Art

FILMS FOR A FREE PALESTINE

Life Drawing

FILMS FOR A FREE PALESTINE

Lieber Maler, male mir… Conditions of Commissioning in Contemporary Art

FILMS FOR A FREE PALESTINE

Scientific Image: Revealing the Work of Art

FILMS FOR A FREE PALESTINE

Politics of Exposure: Common Research, Public Investigation

FILMS FOR A FREE PALESTINE

The Recondite Archive: In Search of a Form that Speaks

FILMS FOR A FREE PALESTINE

Artistic Interventions in Public Space

FILMS FOR A FREE PALESTINE

Conference: Knowledge Forms and Forming Knowledge

FILMS FOR A FREE PALESTINE

Awaiting Reininghaus

FILMS FOR A FREE PALESTINE

ENCOUNTERS

FILMS FOR A FREE PALESTINE

Live Action: Creating Roles in Speculative Environments

FILMS FOR A FREE PALESTINE

Visual and Sonic Practice

FILMS FOR A FREE PALESTINE

From Roundabout to the Round Table

FILMS FOR A FREE PALESTINE

New Graz Dinner Party

FILMS FOR A FREE PALESTINE

WALKING: A CRITICAL INQUIRY

FILMS FOR A FREE PALESTINE

The Architecture of the Inhuman. A dialogue with machines

FILMS FOR A FREE PALESTINE

EXHIBITING AS A RESEARCH METHOD

FILMS FOR A FREE PALESTINE

Let's Build a Library Together!
Workshop 2

TU Research Hub: Workshop 0.1.

FILMS FOR A FREE PALESTINE

A Critical Construction Report, Graz 2017

FILMS FOR A FREE PALESTINE

SANS SOUCI:
FOUR FACES OF OMARSKA

FILMS FOR A FREE PALESTINE

Exhibiting as a Research Practice, A Case Study

FILMS FOR A FREE PALESTINE

Returns of Knowledge(s)

FILMS FOR A FREE PALESTINE

Unlearning Classroom

FILMS FOR A FREE PALESTINE

WAS WIR TUN, Camera Austria: an Investigation into the Institution

FILMS FOR A FREE PALESTINE

Let's Build a Library together with Grazer Kunstverein

FILMS FOR A FREE PALESTINE

into the Herbst archives

FILMS FOR A FREE PALESTINE

The Imaginary School

FILMS FOR A FREE PALESTINE

(un)learning spaces

FILMS FOR A FREE PALESTINE

TAKE THE PLACE WITH YOU

FILMS FOR A FREE PALESTINE

A hidden abode of art production

FILMS FOR A FREE PALESTINE

Returns of Knowledge(s): How Research Makes an Exhibition

FILMS FOR A FREE PALESTINE

Sans Souci Exhibition - Malta Festival Poznan

FILMS FOR A FREE PALESTINE

Unlearning Classroom

FILMS FOR A FREE PALESTINE

ARCHIVES OF NATIONAL SOCIALIST PLANNING

FILMS FOR A FREE PALESTINE

Workshop 2

FILMS FOR A FREE PALESTINE

Sites of Labour - Master Studio

FILMS FOR A FREE PALESTINE

Display Dark Energy

FILMS FOR A FREE PALESTINE

what keeps the “friendly alien” alive? on maintenance and management of kunsthaus graz

FILMS FOR A FREE PALESTINE

From Performance to Video and Then Back Again: How to Explain Pictures to a Dead Hare

FILMS FOR A FREE PALESTINE

Digital Worker: Witnesses of a transformation

FILMS FOR A FREE PALESTINE

'Matters of Facts'
The Orthogonal Methods Group

FILMS FOR A FREE PALESTINE

Engineering Fictions #3.18:
Computer Says No
by Jessica Foley

FILMS FOR A FREE PALESTINE

Diagram Reading Group
by Dennis McNulty

FILMS FOR A FREE PALESTINE

Logic Gate Session
by Tom O’Dea

FILMS FOR A FREE PALESTINE

ORIENTATIONS - Screening Program by Dennis McNulty, Bea McMahon and aemi

FILMS FOR A FREE PALESTINE

Central Perspectives, lecture by Bas Princen

FILMS FOR A FREE PALESTINE

Unlearning Black Pete (and other states of coloniality), lecture by Annette Krauss

FILMS FOR A FREE PALESTINE

'Matters of Facts'
The Orthogonal Methods Group
in Conversation with
Dejan Markovic

FILMS FOR A FREE PALESTINE

“Hot Iron” and “Hot Iron Marginalia”, lecture by Adrià Julià

FILMS FOR A FREE PALESTINE

HAUNTINGS IN THE ARCHIVE!, Screening and Q&A with Julia Wieger

FILMS FOR A FREE PALESTINE

A walk through the Zoo, lecture by Andrea Palašti

FILMS FOR A FREE PALESTINE

Tiny Objects of Survival, Lecture by Petar Milat

The Ethics of Plumbing, Ines Weizman in Conversation with Milica Tomic and Dubravka Sekulic

FILMS FOR A FREE PALESTINE

The Artistic Life of the Pioneer Plaque: The Exposure of Universal Humans, Spacecraft as Gallery, Cordially Meeting the Others… - Lecture by Jelena Vesic

FILMS FOR A FREE PALESTINE

The Open Secret of Exhibitions, Lecture by Vincent Normand

FILMS FOR A FREE PALESTINE

The City and the City, Course

FILMS FOR A FREE PALESTINE

Returns of Knowledge(s) - exhibition

FILMS FOR A FREE PALESTINE

Linguistic Landscapes and Ideological Horizons

FILMS FOR A FREE PALESTINE

Pedagogy, Playgrounds and Pavilions by Nils Norman

FILMS FOR A FREE PALESTINE

Hidden Curriculum, and other ways of hiding in plain sight

FILMS FOR A FREE PALESTINE

Architectural Environment-Worlds, lecture by Hélène Frichot

FILMS FOR A FREE PALESTINE

Exhibiting the Thing: A short history of thinking about the modes of display

FILMS FOR A FREE PALESTINE

Beyond Socialist Modernism - “New Artistic Practice” in Yugoslavia in the Sixties and the Seventies

FILMS FOR A FREE PALESTINE

Sans Souci / Exhibition Opening & Performance

FILMS FOR A FREE PALESTINE

After the Post Internet & the Winter of AI

FILMS FOR A FREE PALESTINE

TRIAL MODE 2: BUILDING SYNERGIES

FILMS FOR A FREE PALESTINE

Unterwassergemurmel -
The Murmur of the Underworld.
Discussion about the artwork

FILMS FOR A FREE PALESTINE

Detroit Resists and Architecture in Resistance

FILMS FOR A FREE PALESTINE

Black and Blight, lecture by Andrew Herscher

FILMS FOR A FREE PALESTINE

DOPUST/DAYS OF OPEN PERFORMANCE

FILMS FOR A FREE PALESTINE

Memory of the World / Public Library

FILMS FOR A FREE PALESTINE

(Re)Naming Working Session 01

FILMS FOR A FREE PALESTINE

Violence at the Threshold of Detectability

FILMS FOR A FREE PALESTINE

Jochen Gerz – Working with the Public

FILMS FOR A FREE PALESTINE

Learning from Leaving Las Vegas

FILMS FOR A FREE PALESTINE

Public Session – The Recondite Archive. In Search of the Form that Speaks

FILMS FOR A FREE PALESTINE

Dieter Roth – Július Koller.
Distant Proximities?

FILMS FOR A FREE PALESTINE

Lecture: Returns of Knowledge

FILMS FOR A FREE PALESTINE

Film Screening: Alpi

FILMS FOR A FREE PALESTINE

Daniel Wetzel/Rimini Protokoll
One Archive: One document

FILMS FOR A FREE PALESTINE

Andrew Herscher
Humanitarian’s Housing Question

FILMS FOR A FREE PALESTINE

Presentation: The Mother of All Nodal Points

FILMS FOR A FREE PALESTINE

Workshop: In or Out of the Archive?

FILMS FOR A FREE PALESTINE

Andrew Herscher – The Counter-Monument

FILMS FOR A FREE PALESTINE

Workshop: The Appearance of That which Cannot be Seen

FILMS FOR A FREE PALESTINE

Andrew Herscher
From the Politics of Memory to the Memory of Politics

FILMS FOR A FREE PALESTINE

Open Working Session: Limits and Horizons of Transdisciplinary Art-Based Research

FILMS FOR A FREE PALESTINE

Exhibition: The Living Archive

FILMS FOR A FREE PALESTINE

Unknown Avant-Garde, Lecture by Anna Artaker

FILMS FOR A FREE PALESTINE

Counter Memory and Publicness

FILMS FOR A FREE PALESTINE

Across Disciplines: Visual and Sonic Practice

FILMS FOR A FREE PALESTINE

The Space of Art: Challenge of transdisciplinary knowledge production

FILMS FOR A FREE PALESTINE

The Means of Art. Spatial thinking and desire to create

FILMS FOR A FREE PALESTINE

In the Ruins of Deregulation

FILMS FOR A FREE PALESTINE

22520 Standards. – questions on economization in creative production procedures. 

FILMS FOR A FREE PALESTINE

FARBENLEHRE: What Color Is the Sacred?

FILMS FOR A FREE PALESTINE

A thing called Nature

FILMS FOR A FREE PALESTINE

Exhibition: In the Ruins of Deregulation - Thinking with Cinema Balkan

FILMS FOR A FREE PALESTINE

What Keeps You Awake? Urgency in Life and Art

FILMS FOR A FREE PALESTINE

Life of Crops: Towards an Investigative Memorialization

FILMS FOR A FREE PALESTINE

UMBRUCH. When objects are called to tell stories

FILMS FOR A FREE PALESTINE

SAY IT WITH A VIDEO

FILMS FOR A FREE PALESTINE

Documenting Transformation

FILMS FOR A FREE PALESTINE

Knowledge is knowing that a tomato is a fruit. Wisdom is not putting it in a fruit salad

FILMS FOR A FREE PALESTINE

Death Drives and Coin Test China High-Speed Rail Videos, lecture performance by Ho Rui An

FILMS FOR A FREE PALESTINE

Landscapes of Post-History, lecture by Ross Exo Adams

FILMS FOR A FREE PALESTINE

Komuna Fundamento

FILMS FOR A FREE PALESTINE

Body Luggage

FILMS FOR A FREE PALESTINE

From the Object to the Thing

FILMS FOR A FREE PALESTINE

What is Photography?

FILMS FOR A FREE PALESTINE

Take the Place with you - Public Presentation and Discussion

FILMS FOR A FREE PALESTINE

Sommerfest - Graz Open Architecture 18

FILMS FOR A FREE PALESTINE

Reading Capital

FILMS FOR A FREE PALESTINE

Sommerfest - Graz Open Architecture 19

FILMS FOR A FREE PALESTINE

WHAT KEEPS YOU AWAKE? Urgency in Life and Art

FILMS FOR A FREE PALESTINE

Prehistory of a Museum of Capitalism

FILMS FOR A FREE PALESTINE

FARBENLEHRE: What Color Is the Sacred?

FILMS FOR A FREE PALESTINE

The Sublime Landscape and its Relation to Labour

FILMS FOR A FREE PALESTINE

On Stones, Plants, and Tools: the image of a resource

FILMS FOR A FREE PALESTINE

Exhibiting the Thing: A short history of thinking about the modes of display

FILMS FOR A FREE PALESTINE

Study Assistants

Sommerfest

Summer Fest 2020

FILMS FOR A FREE PALESTINE

Sans Souci- at Remembering Landscape

FILMS FOR A FREE PALESTINE

Sans Souci - Remembering Landscape

FILMS FOR A FREE PALESTINE

Performance Now: „I don’t think I am trying to commit suicide“

FILMS FOR A FREE PALESTINE

Post-Yugoslav Generation at the Unidentified Grave of “Yugoslavia”

FILMS FOR A FREE PALESTINE

What can the property relations tell us about the city?

FILMS FOR A FREE PALESTINE

Private Property, Privatisation and Other Crimes

FILMS FOR A FREE PALESTINE

project House of Open Gates/ Narratives from the Arrival City. Steirischer Herbst 2016

FILMS FOR A FREE PALESTINE

Exhibiting Matters - Exploring Other Formats

FILMS FOR A FREE PALESTINE

Exhibiting Matters - Triangulation

FILMS FOR A FREE PALESTINE

Memorial in Becoming

FILMS FOR A FREE PALESTINE

Exhibiting Matters - Exploring Other Formats

FILMS FOR A FREE PALESTINE

Exhibiting Matters - Triangulation

FILMS FOR A FREE PALESTINE

IZK Artist Talk Series

FILMS FOR A FREE PALESTINE

IZK Theory Lecture Series

FILMS FOR A FREE PALESTINE

VIDEO ESSAY - a video literacy

FILMS FOR A FREE PALESTINE

Nothing Easier Than to Imagine a Four-Dimensional Cube!

FILMS FOR A FREE PALESTINE

The (Ultimate) Norm and Its Relation to Colour Balance, Image Technologies and Cognitive Equity

FILMS FOR A FREE PALESTINE

Objects of History

FILMS FOR A FREE PALESTINE

Thresholds of Opacity and Legibility: Manifesting, Redefining and Eroding Forms

FILMS FOR A FREE PALESTINE

Mind the Gap - Award for Philipp Sattler

FILMS FOR A FREE PALESTINE

Annenstraße 53: Making Teaching Public

Un-Documented – Unlearning Imperial Plunder

FILMS FOR A FREE PALESTINE

Four Faces of Omarska: Open Video Sequence

FILMS FOR A FREE PALESTINE

Invitation: Ariella Aïsha Azoulay and Wayne Modest at Annenstrasse 53,

FILMS FOR A FREE PALESTINE

IZK I Lecture Series: Constructing Non-Alignment, a lecture by Dubravka Sekulić

FILMS FOR A FREE PALESTINE

Digging Deeper

FILMS FOR A FREE PALESTINE

Epistemic Injustice

FILMS FOR A FREE PALESTINE

Infrastructures of Unlearning: Investigating the Futures Past

FILMS FOR A FREE PALESTINE

HOME WORK. On Artistic Practice During the Plague Years

FILMS FOR A FREE PALESTINE

Unlearning Photography

FILMS FOR A FREE PALESTINE

Trembling Streets: Investigative Materialities in an Apocalyptic World

FILMS FOR A FREE PALESTINE

Flowers (Not) Worthy of Paradise

FILMS FOR A FREE PALESTINE

Incarceratedly Yours

FILMS FOR A FREE PALESTINE

Through the Looking Glass, the Realities We Found There

FILMS FOR A FREE PALESTINE

book as an object of potential history

FILMS FOR A FREE PALESTINE

Job Vacancy: Study Assistants

FILMS FOR A FREE PALESTINE

Nina Valerie Kolowratnik - The Language of Secret Proof: Indigenous Truth and Representation

FILMS FOR A FREE PALESTINE

David Frohnapfel - Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince

FILMS FOR A FREE PALESTINE

The European Dream

FILMS FOR A FREE PALESTINE

Secret Proof

FILMS FOR A FREE PALESTINE

Poetics of Unlearning

FILMS FOR A FREE PALESTINE

Marcell Mars - Distributed Resources versus Distributed Tech

FILMS FOR A FREE PALESTINE

Trembling Streets - A Guided Tour

FILMS FOR A FREE PALESTINE

Semmering - Land, Property, and Commons

FILMS FOR A FREE PALESTINE

Call for Papers: Incomputable Earth—Digital Technologies and the Anthropocene

FILMS FOR A FREE PALESTINE

FILMS FOR A FREE PALESTINE

FILMS FOR A FREE PALESTINE

Why Have There Been No Great Women Architects?

FILMS FOR A FREE PALESTINE

REPAIR

FILMS FOR A FREE PALESTINE

Questions from an architect who reads. A students’ inquiry!

FILMS FOR A FREE PALESTINE

Cloud Seeds

FILMS FOR A FREE PALESTINE

Lecture - Łukasz Stanek, From Eastern Europe to Africa: Women Architects in the Global Cold War

FILMS FOR A FREE PALESTINE

am i actually an architect? new models of architecting

FILMS FOR A FREE PALESTINE

REPAIR Lectures

FILMS FOR A FREE PALESTINE

PhD Day 2022

FILMS FOR A FREE PALESTINE

The writing on the wall destroyed

FILMS FOR A FREE PALESTINE

Tracing Aflenz. A Topography of Procedures

FILMS FOR A FREE PALESTINE

Fragments As Method

FILMS FOR A FREE PALESTINE

Rehearsals

FILMS FOR A FREE PALESTINE

Life of Crops: Soil as Archive

FILMS FOR A FREE PALESTINE

Visual Cacophony: Photography as a Designing Device

FILMS FOR A FREE PALESTINE

Art Documentation in the Age of Digital Media

FILMS FOR A FREE PALESTINE

Photography as a Document

FILMS FOR A FREE PALESTINE

Revealing the Work of Art

FILMS FOR A FREE PALESTINE

Bordering Forms

FILMS FOR A FREE PALESTINE

Annenstrasse 53, Sequence 5: Free Cinema

FILMS FOR A FREE PALESTINE

Colonial Impositions and Their Non-Effects: The Problem of French Domestic Norms and Forms in Colonized Algeria

FILMS FOR A FREE PALESTINE

Samia Henni at IZK

FILMS FOR A FREE PALESTINE

Annenstrasse 53, Exhibition: Art Documentation in the Age of Digital Media

FILMS FOR A FREE PALESTINE

LOADING TERMINAL - Poetry reading and conversation

FILMS FOR A FREE PALESTINE

Curatorial Design: A Place Between, Public Conference at the Canadian Centre for Architecture Montréal

FILMS FOR A FREE PALESTINE

In Search of Movement

FILMS FOR A FREE PALESTINE

Another World, Another Aesthetics

FILMS FOR A FREE PALESTINE

How Does One Get to Own a Mountain?

FILMS FOR A FREE PALESTINE

The Measure of Land

FILMS FOR A FREE PALESTINE

Time Crystals, Rock, Stone and Mud

FILMS FOR A FREE PALESTINE

The Fourth Wall (To Build a Home)

FILMS FOR A FREE PALESTINE

Branislav Dimitrijević - Indeterminate Certainty, Determinate Uncertainty: Robert Smithson and the Geological Turn

FILMS FOR A FREE PALESTINE

How Does One Get to Own a Mountain? Fieldwork public programme

FILMS FOR A FREE PALESTINE

Marina Vishmidt - Entropy and Atrophy: Non-Identity in Non-Essential Infrastructure

FILMS FOR A FREE PALESTINE

Gender Taskforce: Women Architects in the Global Cold War

FILMS FOR A FREE PALESTINE

Jackqueline Frost, The Rumor of the Earth: Nuclear Imperialism and Caribbean Ecology

FILMS FOR A FREE PALESTINE

Course HOW DOES ONE GET TO OWN A MOUNTAIN?

FILMS FOR A FREE PALESTINE

Course TIME CRYSTALS, ROCK, STONE AND MUD

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