Student Exhibitions: Why Have There Been No Great Woman Architects? and Cloud Seeds
Artistic Practice 2, led by Rose-Anne Gush, Philipp Sattler, and Milica Tomić
Art and the Social, led by Simon Oberhofer
Light Squared. As soon as I open my eyes, I see a film
Material Contours. The Project of Extraction
When the river dies, my dearest listen! Infra/structures and Anti-imperial models
Who is Afraid of Ideology?!
Everything Can Be Art, and Nothing Has to Be
Landscapes of Exhaustion and Hope
How to Photograph the Invisible
Komuna Maro
Curatorial Design: A Place Between 2017-2021
The Incomputable 2019-2021
Open Modes Graz 2014-2018
Knowledge Forms
The Living Archive: On Collecting, Classifying and Remembering in Contemporary Art
Life Drawing
Lieber Maler, male mir… Conditions of Commissioning in Contemporary Art
Scientific Image: Revealing the Work of Art
Politics of Exposure: Common Research, Public Investigation
The Recondite Archive: In Search of a Form that Speaks
Artistic Interventions in Public Space
Conference: Knowledge Forms and Forming Knowledge
Awaiting Reininghaus
ENCOUNTERS
Live Action: Creating Roles in Speculative Environments
Visual and Sonic Practice
From Roundabout to the Round Table
New Graz Dinner Party
WALKING: A CRITICAL INQUIRY
The Architecture of the Inhuman. A dialogue with machines
EXHIBITING AS A RESEARCH METHOD
Let's Build a Library Together! Workshop 2
TU Research Hub: Workshop 0.1.
A Critical Construction Report, Graz 2017
SANS SOUCI: FOUR FACES OF OMARSKA
Exhibiting as a Research Practice, A Case Study
Returns of Knowledge(s)
Unlearning Classroom
WAS WIR TUN, Camera Austria: an Investigation into the Institution
Let's Build a Library together with Grazer Kunstverein
into the Herbst archives
The Imaginary School
(un)learning spaces
TAKE THE PLACE WITH YOU
A hidden abode of art production
Returns of Knowledge(s): How Research Makes an Exhibition
Sans Souci Exhibition - Malta Festival Poznan
Unlearning Classroom
ARCHIVES OF NATIONAL SOCIALIST PLANNING
Workshop 2
Sites of Labour - Master Studio
Display Dark Energy
what keeps the “friendly alien” alive? on maintenance and management of kunsthaus graz
From Performance to Video and Then Back Again: How to Explain Pictures to a Dead Hare
Digital Worker: Witnesses of a transformation
'Matters of Facts' The Orthogonal Methods Group
Engineering Fictions #3.18: Computer Says No by Jessica Foley
Diagram Reading Group by Dennis McNulty
Logic Gate Session by Tom O’Dea
ORIENTATIONS - Screening Program by Dennis McNulty, Bea McMahon and aemi
Central Perspectives, lecture by Bas Princen
Unlearning Black Pete (and other states of coloniality), lecture by Annette Krauss
'Matters of Facts' The Orthogonal Methods Group in Conversation with Dejan Markovic
“Hot Iron” and “Hot Iron Marginalia”, lecture by Adrià Julià
HAUNTINGS IN THE ARCHIVE!, Screening and Q&A with Julia Wieger
A walk through the Zoo, lecture by Andrea Palašti
Tiny Objects of Survival, Lecture by Petar Milat
The Ethics of Plumbing, Ines Weizman in Conversation with Milica Tomic and Dubravka Sekulic
The Artistic Life of the Pioneer Plaque: The Exposure of Universal Humans, Spacecraft as Gallery, Cordially Meeting the Others… - Lecture by Jelena Vesic
The Open Secret of Exhibitions, Lecture by Vincent Normand
The City and the City, Course
Returns of Knowledge(s) - exhibition
Linguistic Landscapes and Ideological Horizons
Pedagogy, Playgrounds and Pavilions by Nils Norman
Hidden Curriculum, and other ways of hiding in plain sight
Architectural Environment-Worlds, lecture by Hélène Frichot
Exhibiting the Thing: A short history of thinking about the modes of display
Beyond Socialist Modernism - “New Artistic Practice” in Yugoslavia in the Sixties and the Seventies
Sans Souci / Exhibition Opening & Performance
After the Post Internet & the Winter of AI
TRIAL MODE 2: BUILDING SYNERGIES
Unterwassergemurmel - The Murmur of the Underworld. Discussion about the artwork
Detroit Resists and Architecture in Resistance
Black and Blight, lecture by Andrew Herscher
DOPUST/DAYS OF OPEN PERFORMANCE
Memory of the World / Public Library
(Re)Naming Working Session 01
Violence at the Threshold of Detectability
Jochen Gerz – Working with the Public
Learning from Leaving Las Vegas
Public Session – The Recondite Archive. In Search of the Form that Speaks
Dieter Roth – Július Koller. Distant Proximities?
Lecture: Returns of Knowledge
Film Screening: Alpi
Daniel Wetzel/Rimini Protokoll One Archive: One document
Andrew Herscher Humanitarian’s Housing Question
Presentation: The Mother of All Nodal Points
Workshop: In or Out of the Archive?
Andrew Herscher – The Counter-Monument
Workshop: The Appearance of That which Cannot be Seen
Andrew Herscher From the Politics of Memory to the Memory of Politics
Open Working Session: Limits and Horizons of Transdisciplinary Art-Based Research
Exhibition: The Living Archive
Unknown Avant-Garde, Lecture by Anna Artaker
Counter Memory and Publicness
Across Disciplines: Visual and Sonic Practice
The Space of Art: Challenge of transdisciplinary knowledge production
The Means of Art. Spatial thinking and desire to create
In the Ruins of Deregulation
22520 Standards. – questions on economization in creative production procedures.
FARBENLEHRE: What Color Is the Sacred?
A thing called Nature
Exhibition: In the Ruins of Deregulation - Thinking with Cinema Balkan
What Keeps You Awake? Urgency in Life and Art
Life of Crops: Towards an Investigative Memorialization
UMBRUCH. When objects are called to tell stories
SAY IT WITH A VIDEO
Documenting Transformation
Knowledge is knowing that a tomato is a fruit. Wisdom is not putting it in a fruit salad
Death Drives and Coin Test China High-Speed Rail Videos, lecture performance by Ho Rui An
Landscapes of Post-History, lecture by Ross Exo Adams
Komuna Fundamento
Body Luggage
From the Object to the Thing
What is Photography?
Take the Place with you - Public Presentation and Discussion
Sommerfest - Graz Open Architecture 18
Reading Capital
Sommerfest - Graz Open Architecture 19
WHAT KEEPS YOU AWAKE? Urgency in Life and Art
Prehistory of a Museum of Capitalism
FARBENLEHRE: What Color Is the Sacred?
The Sublime Landscape and its Relation to Labour
On Stones, Plants, and Tools: the image of a resource
Exhibiting the Thing: A short history of thinking about the modes of display
Study Assistants
Sommerfest
Summer Fest 2020
Sans Souci- at Remembering Landscape
Sans Souci - Remembering Landscape
Performance Now: „I don’t think I am trying to commit suicide“
Post-Yugoslav Generation at the Unidentified Grave of “Yugoslavia”
What can the property relations tell us about the city?
Private Property, Privatisation and Other Crimes
project House of Open Gates/ Narratives from the Arrival City. Steirischer Herbst 2016
Exhibiting Matters - Exploring Other Formats
Exhibiting Matters - Triangulation
Memorial in Becoming
Exhibiting Matters - Exploring Other Formats
Exhibiting Matters - Triangulation
IZK Artist Talk Series
IZK Theory Lecture Series
VIDEO ESSAY - a video literacy
Nothing Easier Than to Imagine a Four-Dimensional Cube!
The (Ultimate) Norm and Its Relation to Colour Balance, Image Technologies and Cognitive Equity
Objects of History
Thresholds of Opacity and Legibility: Manifesting, Redefining and Eroding Forms
Mind the Gap - Award for Philipp Sattler
Annenstraße 53: Making Teaching Public
Un-Documented – Unlearning Imperial Plunder
Four Faces of Omarska: Open Video Sequence
Invitation: Ariella Aïsha Azoulay and Wayne Modest at Annenstrasse 53,
IZK I Lecture Series: Constructing Non-Alignment, a lecture by Dubravka Sekulić
Digging Deeper
Epistemic Injustice
Infrastructures of Unlearning: Investigating the Futures Past
HOME WORK. On Artistic Practice During the Plague Years
Unlearning Photography
Trembling Streets: Investigative Materialities in an Apocalyptic World
Flowers (Not) Worthy of Paradise
Incarceratedly Yours
Through the Looking Glass, the Realities We Found There
book as an object of potential history
Job Vacancy: Study Assistants
Nina Valerie Kolowratnik - The Language of Secret Proof: Indigenous Truth and Representation
David Frohnapfel - Alleviative Objects: Solidarity & Conflict in the Art World of Port-au-Prince
The European Dream
Secret Proof
Poetics of Unlearning
Marcell Mars - Distributed Resources versus Distributed Tech
Trembling Streets - A Guided Tour
Semmering - Land, Property, and Commons
Call for Papers: Incomputable Earth—Digital Technologies and the Anthropocene
FILMS FOR A FREE PALESTINE
Why Have There Been No Great Women Architects?
REPAIR
Questions from an architect who reads. A students’ inquiry!
Cloud Seeds
Lecture - Łukasz Stanek, From Eastern Europe to Africa: Women Architects in the Global Cold War
am i actually an architect? new models of architecting
REPAIR Lectures
PhD Day 2022
The writing on the wall destroyed
Tracing Aflenz. A Topography of Procedures
Fragments As Method
Rehearsals
Life of Crops: Soil as Archive
Visual Cacophony: Photography as a Designing Device
Art Documentation in the Age of Digital Media
Photography as a Document
Revealing the Work of Art
Bordering Forms
Annenstrasse 53, Sequence 5: Free Cinema
Colonial Impositions and Their Non-Effects: The Problem of French Domestic Norms and Forms in Colonized Algeria
Samia Henni at IZK
Annenstrasse 53, Exhibition: Art Documentation in the Age of Digital Media
LOADING TERMINAL - Poetry reading and conversation
Curatorial Design: A Place Between, Public Conference at the Canadian Centre for Architecture Montréal
In Search of Movement
Another World, Another Aesthetics
How Does One Get to Own a Mountain?
The Measure of Land
Time Crystals, Rock, Stone and Mud
The Fourth Wall (To Build a Home)
Branislav Dimitrijević - Indeterminate Certainty, Determinate Uncertainty: Robert Smithson and the Geological Turn
HOW ON EARTH?! Exhibition within the 59th October Salon
How Does One Get to Own a Mountain? Fieldwork public programme
Marina Vishmidt - Entropy and Atrophy: Non-Identity in Non-Essential Infrastructure
Gender Taskforce: Women Architects in the Global Cold War
Jackqueline Frost, The Rumor of the Earth: Nuclear Imperialism and Caribbean Ecology
Course HOW DOES ONE GET TO OWN A MOUNTAIN?
Course TIME CRYSTALS, ROCK, STONE AND MUD
Atoms at Work. On Art-based Research as Praxis
WORLD-MAKING: ABOLITION GEOGRAPHY
Listen to Dreams in Strange Colors. Film as Architectural practice
Lessons In Darkness, Silver Salts and the Lightest Metal
The Master’s Tools Will Never Dismantle The Master’s House. Forms of Feminist Praxis
When The Dust Unsettles
IZK Research Days
(Abolitionary) Motifs
REHEARSALS II: RED. GREEN.
Reproduction and its Discontents
Storytelling for the Storm Next Time
The Bauhaus Dancing with Ghosts. From the margins of knowledge to artistic practice
The State of Things. On Collective Filmmaking
Another Aesthetics is Possible
We sit in a room with history
An Atlas Beneath the Surface
In Stasis. The State of an Island
TIME CRYSTALS, ROCK, STONE AND MUD
Graz Open Architecture - Sommerfest 2023
Geography of Looking
How Does One Get to Own a Mountain?
Listen to Dreams in Strange Colors. Film as Architectural Practice
(Re)production and Its Discontents
STUDY IN CONTEXT: ABOLITION GEOGRAPHY, I.E., WORLD-MAKING
